Rachele Eve w/ The Shams Band and Ashley Brooke Toussant
 

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Chicago based songwriter Rachele Eve has come into her own with the wonderful new CD, Mouth of Feathers.

Attracted to Chicago's diverse music scene she set out for the windy city on the search for a much more intimate yet driving sound.  It was not even a month until she met her partner, Nikolai Giefer, a drummer and producer that relocated to Chicago after Hurricane Katrina.

In October of 2007, Giefer introduced Eve to his former professor and record producer John Snyder, a veteran in jazz recording (Miles Davis, Etta James) and founder of Artists House Music Foundation. A couple months after Snyder's visit to Chicago, he invited Eve down to Louisiana to record. After months of seeking out local musicians and fundraising for the album, Rachele Eve, Nikolai Giefer, and multi-instrumentalist Packy Lundholm ventured down to Dockside Studios in Maurice, Louisiana in July 2008. The three of them cranked out an astonishing fourteen songs in four days, making up Rachele Eve's first full-length album.

Entitled Mouth of Feathers, the distinct and unabridged instrumentation incorporates a modern yet vintage feel, colored with distorted guitars, toy piano, an accordion cameo, Wurlitzer, and Hammond B-3 organ. All behind her seamless whisper-to-wail vocal inflections the album is brave in parts and meek in others bringing about the entire spectrum of human emotion. The lyrical component of Mouth of Feathers illustrates more abstractly Eve's personal journey through being her own worst critic, finding a new love, and trying to make sense of society's strange antics. Rachele Eve's influences that are especially prominent on Mouth of Feathers include: Fiona Apple, Feist, Jon Brion, Regina Spektor, and Bob Dylan.

 


Music is supposed to be fun, exciting, thought provoking and daring. On every live performance, The Shams Band makes sure that their ever-growing audience leaves each event with a personal feeling of satisfaction. Drawing heavily on their Wilco, Stones, Smokey Robinson, and John Lee Hooker influences, singer/songwriters Biggins/Gulyas/Patterson create distinct, personal songs. Once united with the full group, the songs come to life, tell stories, and send audiences singing all the way home.

Although it’s only been a year, The Shams Band is quickly making a name for themselves in the Chicago music scene. They have opened for national touring acts: The Avett Brothers and David Grisman. They are slated to participate in the second annual Chicago Bluegrass and Blues Festival featuring six-time Grammy winner Bela Fleck at the Congress Theater (December 12th, 2009).

Donnie Biggins recently gathered with a group of mid-western musicians to create the “Chicago Roots Collective;” a collaboration of musicians working together to get their music heard. The CRC is complete with established bands, such as Mike Mangione and Todd Kessler, with The Shams Band leading their journey to reach the masses.



Like a caged canary yearning liberty from the deepest coal mine in Appalachia, so springs Ashley Brooke Toussant’s
voice from her modest 5-2 1/2 frame. Her foundation was set in the fertile grounds of Canton, Ohio, some twenty-four years ago.

While in college, she secured an internship at NPR affiliate station WKSU-fm in Kent, Ohio. Working under the esteemed tutelage of folk music host Jim Blum, her exposure to folk music broadened. Her tastes expanded to include the likes of Carole King, Jackson Browne, Kate Wolf, Joni Mitchell, Janis Ian and Patty Griffin. Though Ashley admits to drawing inspirations from those songwriters, she tends to stray away from any particular artist as someone to emulate. She distills the raw emotion intrinsic to any folk song, makes it her own, then dispenses it, ever so gingerly, in her own voice.

After several years of gigging around Northeast Ohio, Ashley decided a change was in order. In particular, she wished to validate her earlier claims to break free of the cage of Ohio and make her living as a singer. She flew the coop and landed in Chicago.

Settling quickly into the rhythm of the big city, she lugged her guitar and amp to various open mics, and within a few months of the move, found herself in a studio with Grammy Award winning producer Jim Tullio.

With the release of Ashley Brooke Toussant’s debut EP, All Songs In English, a wonderful little showcase of her talent, she comes a smidge closer to the dream planted in her crib, sprouted in adolescence, then nurtured into young adulthood.


 

Trinity House Theatre

July 10, 2010

8:00pm
$12, $9 for subscribers

www.racheleeve.com
www.myspace.com/theshamsband
www.ashleybrooketoussant.com

 

"Rachele’s voice shares a bit of similarity at points with Regina Spektor and maybe even some Lisa Hannigan; the title of the song made me think of Cursive ('Harold Weathervein'); the lyrics made me think of Andrew Bird’s 'Tables and Chairs,' what with the apocalypse party and all. But, in the end, all these comparisons are unnecessary. There’s just something about these songs. It’s something I can’t put a finger on, but then again, maybe I don’t need to. This is exciting, fresh music." - Knox Road

"The Shams Band stepped up and supplied this year's breakout performance at the 2009 Chicago Bluegrass and Blues Festival. The Shams Band features three songwriters trapezing the line between blues, country, and folk music. Their energy, passion, and damn-good songwriting captured the crowd's attention, set feet dancing, and triggered more than one sing-along." - Matt David [Chicago Examiner]

 

 

   
 

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