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Rachele Eve w/ The Shams Band and
Ashley Brooke Toussant
Chicago based songwriter Rachele Eve has
come into her own with the wonderful new CD, Mouth of Feathers.
Attracted to Chicago's diverse music
scene she set out for the windy city on the search for a much more
intimate yet driving sound. It was not even a month until she
met her partner, Nikolai Giefer, a drummer and producer that
relocated to Chicago after Hurricane Katrina.
In October of 2007, Giefer introduced Eve to his former professor
and record producer John Snyder, a veteran in jazz recording (Miles
Davis, Etta James) and founder of Artists House Music Foundation. A
couple months after Snyder's visit to Chicago, he invited Eve down
to Louisiana to record. After months of seeking out local musicians
and fundraising for the album, Rachele Eve, Nikolai Giefer, and
multi-instrumentalist Packy Lundholm ventured down to Dockside
Studios in Maurice, Louisiana in July 2008. The three of them
cranked out an astonishing fourteen songs in four days, making up
Rachele Eve's first full-length album.
Entitled Mouth of Feathers, the distinct and unabridged
instrumentation incorporates a modern yet vintage feel, colored with
distorted guitars, toy piano, an accordion cameo, Wurlitzer, and
Hammond B-3 organ. All behind her seamless whisper-to-wail vocal
inflections the album is brave in parts and meek in others bringing
about the entire spectrum of human emotion. The lyrical component of
Mouth of Feathers illustrates more abstractly Eve's personal journey
through being her own worst critic, finding a new love, and trying
to make sense of society's strange antics. Rachele Eve's influences
that are especially prominent on Mouth of Feathers include: Fiona
Apple, Feist, Jon Brion, Regina Spektor, and Bob Dylan.

Music is supposed to be fun,
exciting, thought provoking and
daring. On every live
performance, The Shams Band
makes sure that their
ever-growing audience leaves
each event with a personal
feeling of satisfaction. Drawing
heavily on their Wilco, Stones,
Smokey Robinson, and John Lee
Hooker influences,
singer/songwriters Biggins/Gulyas/Patterson
create distinct, personal songs.
Once united with the full group,
the songs come to life, tell
stories, and send audiences
singing all the way home.
Although it’s only been a year,
The Shams Band is quickly making
a name for themselves in the
Chicago music scene. They have
opened for national touring
acts: The Avett Brothers and
David Grisman. They are slated
to participate in the second
annual Chicago Bluegrass and
Blues Festival featuring
six-time Grammy winner Bela
Fleck at the Congress Theater
(December 12th, 2009).
Donnie Biggins recently gathered
with a group of mid-western
musicians to create the “Chicago
Roots Collective;” a
collaboration of musicians
working together to get their
music heard. The CRC is complete
with established bands, such as
Mike Mangione and Todd Kessler,
with The Shams Band leading
their journey to reach the
masses.

Like a caged canary yearning liberty from the deepest coal mine in
Appalachia, so springs Ashley Brooke Toussant’s
voice from her modest 5-2 1/2 frame. Her foundation was set in the
fertile grounds of Canton, Ohio, some twenty-four years ago.
While in college, she
secured an internship at NPR affiliate station WKSU-fm in Kent,
Ohio. Working under the esteemed tutelage of folk music host Jim
Blum, her exposure to folk music broadened. Her tastes expanded to
include the likes of Carole King, Jackson Browne, Kate Wolf, Joni
Mitchell, Janis Ian and Patty Griffin. Though Ashley admits to
drawing inspirations from those songwriters, she tends to stray away
from any particular artist as someone to emulate. She distills the
raw emotion intrinsic to any folk song, makes it her own, then
dispenses it, ever so gingerly, in her own voice.
After several years of
gigging around Northeast Ohio, Ashley decided a change was in order.
In particular, she wished to validate her earlier claims to break
free of the cage of Ohio and make her living as a singer. She flew
the coop and landed in Chicago.
Settling quickly into
the rhythm of the big city, she lugged her guitar and amp to various
open mics, and within a few months of the move, found herself in a
studio with Grammy Award winning producer Jim Tullio.
With the release of
Ashley Brooke Toussant’s
debut EP, All Songs In English, a wonderful little showcase of her
talent, she comes a smidge closer to the dream planted in her crib,
sprouted in adolescence, then nurtured into young adulthood.
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"Rachele’s
voice shares a bit of similarity at points with Regina Spektor
and maybe even some Lisa Hannigan; the title of the song made me
think of Cursive ('Harold Weathervein'); the lyrics made me
think of Andrew Bird’s 'Tables and Chairs,' what with the
apocalypse party and all. But, in the end, all these comparisons
are unnecessary. There’s just something
about these songs. It’s
something I can’t put a finger on, but then again, maybe I don’t
need to. This is exciting, fresh music." - Knox Road
"The Shams Band stepped up and supplied this year's breakout
performance at the 2009 Chicago Bluegrass and Blues Festival.
The Shams Band features three songwriters trapezing the line
between blues, country, and folk music. Their energy, passion,
and damn-good songwriting captured the crowd's attention, set
feet dancing, and triggered more than one sing-along." - Matt
David [Chicago Examiner]
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