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Jeff
Black w/ special guest Jim Roll
Jeff
Black's fourth album, Tin
Lily, is as hard to pin down as his previous work, where
he has collaborated with everyone from rock experimentalists Wilco to
Americana favorite Iris Dement to progressive bluegrass stalwart Sam
Bush. As usual, Black found an inspired collection of musicians to
collaborate with him on the self produced Tin
Lily.
Mandolinist Sam Bush,
who's last album was named after his cover of Black's song "King
of the World," joins former Johnny Cash bassist Dave Roe, former
Steve Earle drummer Craig Wright and guitarists Will Kimbrough, who's
currently working with Rodney Crowell and Jimmy Buffett, and Kenny
Vaughan, who performs with the likes of Kim Richey and Lucinda
Williams among so many others. Engineered and mixed by Billy Sherrill,
the song cycle on Tin
Lily exemplifies the duality that make Jeff Black such a
compelling, vital and important performing songwriter.
“Black
is an artist of substance,” wrote Billboard in a review that
compared his piano ballads to Randy Newman and his rockers to Bruce
Springsteen. Paste magazine adds, “The search for spiritual
sustenance and lasting meaning underpins Black's reverent,
battling-the-darkness-and winning songs.” He concedes that, while he
doesn't want to offer in-depth explanations of what his songs mean,
“I love songs about freeing the spirit, about minimizing the
struggle the best you can, about treating your individuality as
something that's precious and important,” he says. “Those are the
topics I come back to because those are the ideas I keep examining
within myself.” But Black is too complicated to make it easy. His
songs take unexpected turns, cursing and snarling at points, showing
their lust and their desire as well as their determination to remain
bound for glory.
As anyone who's seen his moving, funny, and unpredictable concerts
already knows, He never plays the same show twice, pulling from his
commercial catalog Birmingham
Road, Honey
And Salt, B-Sides
And Confessions Volume One, and the new music on
Tin
Lily, he responds to the moment and to whatever
voodoo is floating through the air shared by a unique collection of
people on any given night with the stories and songs that transcend
the role of a singer/songwriter and his instrument. What makes a Jeff
Black record or show exciting is that, as a listener, you know the
singer is there not to perform for you, but to take you on a journey
with him.
Novelist
Rick Moody, author of “Demonology” and “The Ice
Storm” (the latter of which became a 1997 Kevin Kline film) called
Jim's 2000 CD, Lunette, “one of the best singer-songwriter albums of
the last five years.” Jim had given Rick that CD to spark interest
in a songwriting alliance. The first fruits appear on Inhabiting the
Ball and Rick's not the only guest lyricist, either. Poet and fiction
writer Dennis Johnson (of “The Name of the World” and “Jesus'
Son” fame) was actually the first author Jim enlisted. The Rock
Editors for Amazon.com picked Inhabiting the Ball as one of their top
10 CD’s of 2002 along with Elvis Costello, Beck and Peter Gabriel. Don't miss this chance to see why the LA Times, National
Public Radio, and the New Yorker have also raved about Jim’s music.
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“I could go on
about my love for this artist.
Every CD released in Nashville should have one of his songs
on it. And every home
should own his records. Jeff’s
latest, Tin Lily, is an embarrassment of riches.” – Robert
K. Oermann, Music Row
“As music goes,
Roll does just right. He's man who knows how to make great music,
period. Those instincts have been translated on this disc into
some stunning fare, indeed.” – Aiding and Abetting
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